Silent Movie: May 2012

Thursday, May 10, 2012

Moon of Israel - silent movie pianist Gerhard Gruber performing at The

www.filmmusik.at

Moon of Israel - silent movie pianist Gerhard Gruber performing at The Los Angeles Jewish Film Festival, May 3 2012 - presented by Ed Lauter ("The Artist") - at the Saban Theatre, Los Angeles

Cafe Elektric - Gerhard Gruber at the Aero Theatre Los Angeles

www.filmmusik.at

Cafe Elektric (1927) - Gerhard Gruber performed at Aero Theatre Los Angeles (American Cinematheque), a tribute to Marlene Dietrich - May 3, 2012

About Gerhard Gruber:

Blue-Toned Silent Film Dreams
by ILSE AICHINGER

He doesn’t wear a Viennese medal of honor, nor does he create a commotion in the parliament and cause guessing games like Michael Jackson. Gerhard Gruber, composer and musician (“the piano player” as I know him), comes from the barren landscape of
the Muehlviertel. He improvises on the piano to the silent films in the triangle that I often move in: between the Metro-Kino, the Breitenseer Lichtspiele, and the Filmmuseum—not Bermuda, but still a place where you can safely disappear.
He is the one who first makes each film possible and, at the same time, unnecessary. Those who have seen his hands move on the illuminated keys might even risk forgetting Chaplin to boost their memory of him. In letting yourself go, should you ask how much you have to let go? For Gerhard Gruber that isn’t relevant. Composing is an intellectual act. As he explains, improvisation is an act of love. “It wouldn’t surprise me if my playing changed the film.” And would this man—someone who knows how much the pictures have lost through dialogue cinema—sign a “petition against the talkies”?
“Gruber’s form of modesty is likewise his greatness,” said Alexander Horwath (of the Austrian Filmmuseum). “The particular situation of silent film music, in which one part is ‘dead’ (which means old and stored on celluloid) and the other part ‘living’ (alive and capable of acting), paradoxically demands a musician who is not satisfied with this situation (with his or her own ‘advantage’), who wants to make the ‘dead’ part just as much alive as he or she is.”
“I am still breathing the air, but I don’t know what I should do with it,” stated E. M. Cioran. Those who listen to Gerhard Gruber play the piano can once again trust their own breath.

...

And Der Typ vom Grab nebenan (The guy in the next grave) (today at 6 p.m. in Cine-Kino)? You should help him out of there and quickly bring him, together with the others in danger of apparent death, to Breitensee, to Gerhard Gruber.

First published in: Die Presse, 12 March 2005, as “Der Filmerzieher.”
Translated by Lisa Rosenblatt.